Famous Chinese Artists & Painters

Ai Weiwei is a Chinese contemporary artist, documentarian, and activist known for his political conviction and poetic creations. He has openly criticized the Chinese Government's stance on democracy and human rights, investigating government corruption and cover-ups. Ai gained international recognition for his role in exposing the Sichuan schools corruption scandal. Following his arrest in 2011 on "economic crimes" charges, he emerged as a vital figure in Chinese cultural development and a prominent political commentator. His sculptures, photographs, and public works reflect his unwavering dedication to social justice.

Su Shi, also known as Su Dongpo, was a renowned Chinese poet, essayist, calligrapher, painter, and scholar-official during the Song dynasty. Despite facing political setbacks due to his outspoken criticism and political rivalries, he held various bureaucratic positions and briefly served at the imperial court. His career was marked by political exiles during which his creative pursuits thrived. Su's literary legacy includes a vast collection of poems, lyrics, prose, and essays that have had a lasting impact on classical Chinese literature and cultural values.

Wang Yangming, also known as Wang Shouren, was a prominent figure during the Ming dynasty in China. He was a philosopher, general, politician, writer, and calligrapher. Renowned for his interpretations of Confucianism, Wang Yangming challenged the rationalist dualism of Zhu Xi's orthodox philosophy. He is considered one of the most important Neo-Confucian thinkers, following Zhu Xi. Alongside Lu Xiangshan, he founded the Lu-Wang school, emphasizing the School of the Mind. Wang Yangming's influence extends to China, Japan, and Western countries, where he is revered by his honorific name.

Cai Guo-Qiang is a renowned Chinese artist known for his innovative use of gunpowder in his artwork, creating large-scale explosive pieces that blend elements of Chinese culture and contemporary art. He gained international recognition for his spectacular pyrotechnic displays, including his work as the director of visual and special effects for the opening and closing ceremonies of the 2008 Beijing Olympics. Cai's artistic contributions have earned him numerous awards and accolades, solidifying his reputation as a pioneering figure in the contemporary art world.

Tyrus Wong, a Chinese-born American artist, was a versatile talent in various creative fields. His career spanned painting, animation, calligraphy, and more. Noteworthy for his contributions to Disney's "Bambi" as the lead production illustrator, he also worked with Warner Bros. and on numerous notable films. After retiring from the film industry, Wong continued his artistic pursuits, specializing in kite design. His legacy lives on through his artworks, ceramics, and the documentary "Tyrus" by Pamela Tom. Wong passed away in 2016, leaving behind a rich artistic legacy.

Qi Baishi was a renowned Chinese painter known for his whimsical and playful style. He taught himself to paint and traveled extensively throughout China, settling in Beijing in 1917. His diverse subject matter included animals, scenery, figures, toys, and vegetables. Qi believed paintings should strike a balance between likeness and unlikeness. In his later years, he focused on depicting mice, shrimp, and birds. He was also skilled in seal carving and served as the president of the China Artists Association. Qi Baishi passed away in Beijing in 1957.

Emperor Huizong of Song was an accomplished painter, poet, calligrapher, and musician. Despite his shortcomings in governance, he was renowned for his patronage of the arts, particularly Taoism. He supported and sponsored numerous artists at his imperial court, amassing a collection of over 6,000 known paintings. His talents in poetry, painting, calligraphy, and music showcased his dedication to artistic expression and cultural refinement, leaving a lasting legacy in the artistic landscape of the Song dynasty.

Gao Xingjian is a versatile Chinese-French writer, painter, photographer, and filmmaker. He is renowned for his absurdist and avant-garde drama, with works like "Absolute Signal" and "Wild Man" pushing boundaries in Chinese theatre. Facing government censorship, he left China in 1987, later becoming a French citizen. His influences range from classical Chinese opera to European drama, resulting in a unique blend of cultures in his works. Gao's refusal to align with any political or literary faction underscores his independent and universal approach to creativity.

Wang Wei was a multi-talented individual during the middle Tang dynasty, excelling as a musician, poet, painter, and politician. His reputation as a distinguished figure in arts and letters was well-deserved, with about 400 of his poems surviving to this day. Renowned for his nature-inspired poetry and landscape paintings, his works were highly influential. While no authenticated paintings or musical compositions remain, his impact is evident through later artworks and accounts. He also had a successful career as an imperial court official and later embraced Chan Buddhism.

Xu Beihong was a prominent Chinese painter known for his Chinese ink paintings of horses and birds. He advocated for artistic expressions that reflected a modern China, pioneering monumental oil paintings with epic Chinese themes. He was recognized as one of the first Chinese artists to excel in Western art techniques. Xu Beihong was regarded as one of the "The Four Great Academy Presidents," alongside three other pioneers of Chinese modern art, leaving a lasting impact on the art world with his innovative and influential works.

Wang Xizhi was a prominent Chinese calligrapher from the Jin dynasty. He achieved mastery in various script styles, notably regular, semi-cursive, and cursive forms, becoming renowned for his exceptional skills. Throughout his professional life, Wang held various government positions, reaching the rank of "General of the Right Army" and serving as an administrator. He is best known for his famous work, the Lantingji xu, and his artistry was highly valued by emperors and collectors. Wang's legacy continues to influence East Asian calligraphy to this day.

Zao Wou-Ki was a prominent Chinese-French painter known for his abstract and lyrical style. He was a member of the Académie des Beaux-Arts in Paris, highlighting his recognition in the art world. Having graduated from the China Academy of Art in Hangzhou, he was influenced by his mentors Fang Ganmin and Wu Dayu. Zao Wou-Ki's professional life was characterized by a successful career marked by exhibitions worldwide and a unique artistic vision that blended Eastern and Western influences.

Tang Yin was a renowned Chinese painter, calligrapher, and poet during the Ming dynasty period. Known by the courtesy names Bohu and Ziwei, he was highly influential in Chinese art history. His unique style combined elements from earlier dynasties, setting him apart from his contemporaries. Tang Yin is considered one of the "Four Masters of Ming dynasty," alongside Shen Zhou, Wen Zhengming, and Qiu Ying. His impact extended beyond painting, as he was also a skilled poet, recognized as one of the "Four Literary Masters of the Wuzhong Region."

Wu Daozi, also known as Daoxuan and Wu Tao Tzu, was a renowned Chinese painter of the Tang dynasty. Despite facing early hardships, he excelled in calligraphy and painting, learning from masters Zhang Xu and He Zhizhang. Wu is celebrated for pioneering realistic techniques, establishing formal brushwork, and elevating landscape painting. His artistic contributions include painting figures with flowing clothes using round strokes. Considered a master of the seventh century by art historians, Wu's legacy endures through surviving works and his significant impact on Chinese art.

Zhao Mengfu was a renowned Chinese calligrapher, painter, and scholar during the Yuan dynasty. He was known for rejecting the refined brushwork of his era in favor of a cruder style reminiscent of the eighth century, revolutionizing Chinese landscape painting. His emphasis on a literal laying of ground, rather than traditional foreground-background patterns, created a simple and approachable aesthetic. Zhao's works were greatly appreciated by the Confucian-inspired Yuan Emperor Renzong. He was a member of the "Academy of Worthies" and had a significant influence on the development of Chinese art.

Zhang Huan is a Chinese artist known for his work in performance art, painting, photography, and sculpture. Starting as a painter, he later shifted his focus to performance art, gaining recognition for his innovative and boundary-pushing pieces. Despite his success in performance art, Zhang Huan eventually returned to painting, showcasing his versatility and skill across multiple mediums. With a base in both Shanghai and New York City, he continues to create thought-provoking and impactful artwork that resonates with audiences worldwide.

Gu Kaizhi was a renowned Chinese painter and politician known for his exceptional talent in figure painting. He began his career in Nanjing and quickly rose through the ranks to become a royal officer. Alongside his political duties, he excelled as a poet and calligrapher. Gu authored influential books on painting theory, emphasizing the importance of portraying the spirit through the eyes in figure paintings. His artistic legacy lives on through copies of silk handscroll paintings attributed to him, showcasing his enduring impact on ancient Chinese art.

Guo Xi was a renowned Chinese landscape painter during the Northern Song dynasty. He was a court professional, literatus, and well-educated artist who developed intricate brushstroke techniques. His treatise "mountains and waters" and famous works like Early Spring and The Coming of Autumn showcased his innovative approach to painting landscapes. Guo Xi's techniques, such as "the angle of totality" and "Floating Perspective," influenced later artists. His masterpiece, "Deep Valley," exemplified his skill in using ink washes and composition to create atmospheric effects in his works.

Shitao, also known as Zhu Ruoji, was a Chinese Buddhist monk, calligrapher, and landscape painter during the early Qing dynasty. He began his religious instruction in Wuchang, then moved to Anhui in the 1660s. Throughout the 1680s, he lived in Nanjing and Yangzhou before moving to Beijing in 1690 to seek patronage within the monastic system. Failing to find a patron, he converted to Daoism in 1693 and returned to Yangzhou where he remained until his death in 1707.

Shen Zhou was a prominent Chinese painter in the Ming dynasty, known for his contributions to the Wu School of Chinese art. He lived during a period of transition from Yuan conquest to Ming rule. Shen retired from his professional life to focus on painting and caring for his widowed mother. Apart from his artistic talents, he was also skilled in history and the classics. His dedication to art and reclusive lifestyle exemplified his commitment to his craft and personal values.

Bada Shanren, also known as Zhu Da, was a renowned Chinese painter, calligrapher, and poet during the late-Ming and early-Qing dynasties. Despite struggling with mental illness and facing the threat of persecution, he sought refuge in Buddhism and spent 30 years as a monk. Returning to secular life later in his years, he dedicated himself to art, focusing on calligraphy, painting, and poetry. His works often featured simple subjects like flowers and animals, with later emphasis on landscapes and metaphors reflecting the Ming-Qing transition.

Xu Wei, also known as Qingteng Shanren, was a versatile figure in Chinese arts and culture during the Ming dynasty. He excelled in painting, playwriting, poetry, and the art of tea making. Xu Wei's artistic talents were highly regarded, and he made significant contributions to Chinese painting with his innovative style. As a playwright, his works were celebrated for their creativity and depth. Additionally, Xu Wei's expertise in tea mastery added another dimension to his professional life, showcasing his diverse interests and skills.

Qiu Ying was a prominent Chinese painter of the Ming dynasty known for his expertise in the gongbi brush technique. His professional life was characterized by a dedication to painting intricate and detailed scenes, often depicting figures, landscapes, and still life subjects. Qiu Ying's works were highly sought after during his time, and he gained recognition for his meticulous craftsmanship and artistic talent. His paintings continue to be revered for their beauty and technical skill, solidifying his legacy as a master of Chinese art.

Mi Fu was a prominent Chinese painter, poet, and calligrapher of the Song dynasty known for his innovative "Mi Fu" style of misty landscape painting characterized by large wet ink dots. He drew inspiration from renowned figures like Li Bai and Wang Xizhi, and is considered one of the top calligraphers of his time. Mi Fu's unique approach to calligraphy, including the use of large dots of wet ink, influenced future generations, earning him a lasting legacy in the artistic world.

Liang Kai, known as "Madman Liang," was a prominent Chinese painter during the Southern Song Dynasty. Renowned for his informal style, he gained fame at the court of Jia Tai for his mastery of various subjects, particularly landscapes and figures. Despite his success, Liang Kai eventually chose to leave the court to focus on practicing Chan Buddhism. His decision to pursue spiritual enlightenment marked a significant shift in his professional life, reflecting a deeper commitment to his artistic and personal beliefs.

Huáng Yǒng Pīng was a Chinese-French contemporary artist known for his avant-garde work. He considered art as strategy and drew inspiration from artists like Joseph Beuys, John Cage, and Marcel Duchamp. Huang founded Xiamen Dada in 1986 and gained recognition for his controversial and provocative art in the 1980s Chinese art scene. He participated in the exhibition Magiciens de la terre in Paris in 1989 and later immigrated to France, where he lived until his passing in 2019. Huang's large-scale pieces were not suitable for auction, and he was represented by galleries in New York, Paris, and Beijing.

Yan Liben was a versatile talent during the early Tang dynasty, known for his skills as an architect, painter, and politician. His notable works include the Thirteen Emperors Scroll and the Portraits at Lingyan Pavilion, showcasing his prowess in capturing historical figures and events through art. Highly regarded by his contemporaries, Yan's paintings of Chinese emperors and other subjects earned him acclaim for his detailed and masterful craftsmanship. He also served as a chancellor under Emperor Taizong's son, Emperor Gaozong, further showcasing his influence in the imperial court.

Muqi Fachang was a prominent Chinese painter and Chan Buddhist monk known for his exceptional contributions to Chan painting. His renowned works, including "Six Persimmons" and "the Daitokuji triptych," are considered masterpieces in the genre. Muqi's artistry had a profound influence on subsequent painters, particularly monk artists in Japan. He is celebrated as one of the greatest Chan painters in history, leaving a lasting legacy that continues to inspire and shape the artistic landscape of East Asia.

Wen Zhengming was a prominent figure in Chinese art during the Ming dynasty, known for his skills in painting, calligraphy, and poetry. He was recognized as one of the Four Masters of Ming painting, showcasing his mastery in traditional Chinese painting techniques. Wen Zhengming's artistry and creativity were celebrated throughout his professional career, influencing and inspiring many artists of his time. His works continue to be admired for their elegance, precision, and profound cultural significance in Chinese art history.

Zhang Daqian was a prominent Chinese artist known for his versatility and skill in various painting styles. Initially recognized for his traditional guohua paintings, he later gained fame for his modern impressionist and expressionist works. By the 1960s, he was acknowledged as a master forger, showcasing his exceptional talent in replicating famous artworks. Zhang's professional life was marked by his innovation, adaptability, and unparalleled craftsmanship, establishing him as one of the most accomplished and influential artists of the twentieth century.

Dong Qichang was a prominent figure during the later period of the Ming dynasty in China. He was a versatile professional, excelling in various fields such as art theory, calligraphy, painting, and politics. As an art theorist, he made significant contributions to the understanding and development of Chinese art. Dong Qichang's skill as a calligrapher and painter was highly regarded, and his works were influential in shaping the artistic trends of his time. Additionally, his involvement in politics further showcased his multifaceted talents and influence in Chinese society.

Ni Zan was a prominent Chinese painter known for his work during the Yuan and early Ming periods. Alongside Huang Gongwang, Wu Zhen, and Wang Meng, he was recognized as one of the Four Masters of the Yuan Dynasty. Ni Zan's artistic style was characterized by simplicity, elegance, and a focus on natural landscapes. He was highly regarded for his mastery of ink wash painting techniques and his ability to capture the essence of nature with minimalistic brushwork.

Wang Meng was a prominent Chinese painter known for his masterful landscape paintings during the Yuan dynasty. He was a member of the "Four Masters of the Yuan dynasty" and was particularly renowned for his meticulous brushwork and innovative techniques. Wang Meng's works often depicted scenes of mountains, rivers, and forests, showcasing his deep appreciation for nature. His artistic style combined elements of traditional Chinese painting with his own unique interpretations, leaving a lasting influence on the art world for generations to come.

Chen Hongshou was a renowned Chinese painter during the late Ming dynasty. He was known for his versatility and mastery of various painting styles, including figure painting, landscapes, and flower-and-bird painting. Chen Hongshou's works often featured intricate details and bold, expressive brushwork, reflecting his deep understanding of traditional Chinese painting techniques. He was highly respected by his contemporaries and later generations for his innovative approach to art and his significant contributions to the development of Chinese painting.

Xia Gui was a renowned Chinese landscape painter of the Song dynasty known for his innovative style and contribution to the art world. Despite limited surviving works, he is regarded as one of China's greatest artists. Continuing the legacy of his predecessor Li Tang, Xia further simplified the Song style to create a distinct and impactful aesthetic. Alongside Ma Yuan, he established the influential Ma-Xia school, leaving a lasting legacy that influenced artists for centuries after his death.

Wu Changshuo was a prominent Chinese calligrapher, painter, and seal artist during the late Qing Period. He was known for his innovative approach to traditional Chinese art forms, blending classical styles with modern techniques. Wu Changshuo's work was highly influential, and he played a key role in revitalizing traditional Chinese painting and calligraphy. He was skilled in various artistic mediums and his creations continue to be celebrated for their unique style and contribution to Chinese art history.

Zhou Fang was a renowned Tang dynasty painter based in Chang'an who created masterpieces for the Emperor. With a background in a wealthy and prominent family, he was well-versed in the opulent lifestyle of the aristocracy. Zhou's professional journey included serving as the Governor of Yuezhou and Xuanzhou, showcasing his versatility and administrative skills. His artistic talents and prestigious positions allowed him to leave a lasting impact on the art world and the imperial court during his time.

Lin Fengmian was a pioneering Chinese painter known for merging Chinese and Western artistic styles. He was among the first Chinese artists to study in Europe and played a significant role in modernizing Chinese painting. Lin was recognized as an innovator in Chinese art education and was one of the key figures in the development of Chinese modern art. His contributions earned him the title of "The Four Great Academy Presidents," showcasing his influence and impact on the artistic landscape.

Huang Gongwang was a renowned Chinese painter, poet, and writer known for his significant contributions during the Yuan dynasty. He was a key figure among the "Four Masters of the Yuan dynasty," praised for his artistic skills and innovative techniques. Huang Gongwang's work reflected a deep understanding of traditional Chinese painting styles while also showcasing his unique interpretations and creative vision. His legacy continues to influence and inspire generations of artists, making him a celebrated figure in the history of Chinese art.

Han Gan was a renowned Chinese painter during the Tang dynasty. He was recognized and sponsored by prominent poet Wang Wei, leading him to become a student of court painter Cao Ba. Han specialized in painting portraits, Buddhistic, and Daoist themed artworks, but he is most famous for his exceptional paintings of horses. His ability to capture not only the physical form but also the spirit of horses earned him great acclaim, surpassing even his teacher. His influence extended to later generations of horse painters.

Chen Yifei was a distinguished figure in the world of Chinese art and film, known for his expertise in classic-style painting, art direction, and filmmaking. Throughout his career, he created a significant body of work that showcased his artistic vision and talent. As an art director, he contributed to various projects, adding his unique touch to each endeavor. Additionally, his directorial work in films such as The Music Box and Inyak Twilight further solidified his reputation as a versatile and accomplished creative professional.

Sanyu was a Chinese-French painter known for his nude paintings. His artistic legacy primarily revolves around his captivating portrayals of the human form. Even after his passing, Sanyu's artworks continued to garner immense attention and acclaim in the art world. His pieces fetched record-breaking prices at prestigious auction houses, such as Sotheby's and Christie's, highlighting the enduring appeal and value of his unique artistic vision. Sanyu's professional journey underscores his significant contributions to the realm of art, particularly in the genre of nude paintings.

Pan Tianshou was a prominent Chinese painter and art educator known for his contributions to Chinese traditional painting education. He studied under renowned artist Wu Changshuo and played a crucial role in establishing a solid foundation for traditional Chinese painting. Despite facing persecution during the Cultural Revolution, Pan continued to create and teach until his passing in 1971. His professional life was marked by a dedication to preserving and promoting the rich heritage of Chinese art through his own works and teachings.

Wu Guanzhong was a prominent contemporary Chinese painter known for his contributions to modern Chinese painting. He is hailed as one of the greatest Chinese painters, blending Western styles like Fauvism with Eastern influences such as Chinese calligraphy in his artworks. Wu's paintings captured various elements of China, including architecture, landscapes, and people, reminiscent of impressionist painters. His work showcased a fusion of traditional and modern artistic techniques, solidifying his reputation as a pioneer in the Chinese art scene. Additionally, he was also recognized as a writer on contemporary Chinese art.

Jing Hao was a prominent Chinese landscape painter and art theorist during the Five Dynasties and Ten Kingdoms period. He played a significant role in the development of monumental landscape painting, particularly in the Northern Landscape style. His influence extended to later painters, notably the Northern Song artists, through his theoretical work on painting and aesthetics. Jing Hao's treatises continued to be used as textbooks for over a century after his passing, solidifying his legacy as a key figure in shaping Chinese artistic traditions.

Huáng Bīnhóng was a renowned Chinese literati painter and art historian known for his innovative contributions to the literati style of painting. Throughout his professional life, he was associated with Shanghai and Hangzhou, where he made significant advancements in freehand landscapes. His work is highly regarded for its artistic quality and unique approach, making him one of the last innovators in this traditional painting style. His legacy continues to influence and inspire artists in the realm of Chinese painting.

Li Tang was a prominent Chinese landscape painter during the Northern Song and Southern Song dynasties. He practiced his art in Kaifeng and Hangzhou, establishing himself as a key figure in the transition between earlier painters like Guo Xi, Fan Kuan, and Li Cheng, and later artists such as Xia Gui and Ma Yuan. Li Tang was known for perfecting the technique of "axe-cut" brush-strokes, which became characteristic of the academy-style landscape painting of the Southern Song period.

Dai Jin was a prominent leader in the early Ming Revival of the Ma-Xia style of landscape painting of the Southern Song, later known as the Zhe School. He made significant contributions to the development of Chinese landscape painting, blending traditional techniques with innovative approaches. Dai Jin's professional life was marked by his dedication to preserving and reviving ancient artistic traditions while also exploring new artistic expressions. His work influenced generations of artists and continues to be celebrated for its mastery of brushwork and composition.

Xie He was a prominent Chinese art critic and writer known for his establishment of the Six Principles of Chinese painting. He played a significant role in shaping the artistic standards and criteria for evaluating paintings in ancient China. Xie He's professional life was dedicated to studying and analyzing art, particularly focusing on the elements that defined a painting's quality and significance. His work influenced generations of artists and critics, leaving a lasting impact on the development of Chinese art history.

Wu Li, also known as Simon-Xavier a Cunha, was a Chinese landscape painter, Christian poet, calligrapher, and Jesuit missionary priest during the Qing Dynasty. He converted to Catholicism, joined the Society of Jesus, and was ordained as one of the first Chinese Jesuit priests. Wu served tirelessly as a priest in rural villages for 30 years, traveling incognito to evangelize. He maintained his Chinese identity in his art and writings, showcasing a unique blend of Eastern and Western influences in his work.

Liu Haisu was a prominent Chinese painter and art educator known for his excellence in Chinese painting and oil painting. He was recognized as one of the pioneering figures in Chinese modern art and was honored with the title of "The Four Great Academy Presidents." Throughout his professional life, Liu Haisu made significant contributions to the art world through his innovative techniques and teachings. His influence as an artist and educator continues to be celebrated and remembered in the realm of Chinese art history.

Wang Hui was a prominent Chinese landscape painter known for his mastery of traditional Chinese painting techniques. As one of the Four Wangs, he played a significant role in shaping orthodox art during the late Ming and early Qing periods. Wang Hui's artistic talent and influence have endured through the centuries, with him being recognized as the most renowned among the Four Wangs in contemporary times. His works have been exhibited in prestigious museums worldwide, showcasing his artistic legacy and contribution to Chinese art history.

Yun Shouping, also known as Nantian, was a prominent Chinese calligrapher and painter during the early Qing dynasty. He was recognized as one of the "Six Masters" of the Qing period, alongside the Four Wangs and Wú Lì. Yun Shouping's artistic contributions were highly esteemed, and he left a significant impact on the art world of his time. His works reflected a deep understanding of traditional Chinese painting techniques and themes, solidifying his reputation as a master artist of his era.

Li Gonglin, also known as Boshi and Longmian Jushi, was a prominent figure in the Northern Song dynasty as an antiquarian, painter, and politician. He was highly skilled in capturing the essence of ancient Chinese art in his own works, particularly known for his depictions of animals and landscapes. Li Gonglin's artistic talent and knowledge of historical artifacts earned him great recognition and influence in both the art world and political sphere of his time, leaving a lasting legacy in Chinese art history.

Li Keran, also known by his art name Sanqi, was a prominent Chinese guohua painter and art educator. He played a significant role in shaping the art scene in China during the latter half of the 20th century. As an influential professor at the Central Academy of Fine Arts, he mentored a generation of Chinese artists. Despite his training in Western oil painting, Li was renowned for his traditional literati paintings, drawing inspiration from masters like Qi Baishi and Huang Binhong. His works have achieved high values at auctions, with notable pieces like Thousands of Hills in a Crimsoned View attaining record prices.

Wu Zhen, also known by his courtesy name Zhonggui and art name Meihuadaoren, was a prominent Chinese painter during the Yuan dynasty. He was recognized as one of the Four Masters of the Yuan, known for his exceptional talent and contributions to Chinese painting. Wu Zhen's professional life was characterized by his dedication to capturing the beauty of nature through his artwork, particularly focusing on landscapes and ink wash painting techniques. His influence and legacy in Chinese art continue to be celebrated and studied to this day.

Juran was a prominent Chinese landscape painter during the late Five Dynasties and Ten Kingdoms and early Northern Song periods. Little is known about his life, but he gained recognition for his work at the Southern Tang court before relocating to Bianjing with the court. He rose to prominence as a landscape painter at the K'ai-pao Buddhist temple in Bianjing. Several works have been attributed to him, showcasing influences from Dong Yuan's style. Juran's proficiency in capturing natural scenery earned him high regard among contemporary artists.

Guanxiu was a celebrated Buddhist monk, painter, poet, and calligrapher during the Five Dynasties and Ten Kingdoms period. He arrived in Chengdu in 901, where he remained until his death. Wang Jian, the founding emperor of the Former Shu, honored him with the title Great Master of the Chan Moon. Guanxiu is renowned for his depictions of arhats and his works in poetry and calligraphy. His professional legacy continued after his death, with Shi Ke rising to prominence as a Chan painter.

Gong Xian was a prominent Chinese painter during the late Ming and early Qing Dynasties, known for his association with the Nanjing school and being one of the Eight Masters of Nanjing. He was highly regarded for his artistic skills and creativity, earning him the title of "Two Ban of the World" alongside the poet and calligrapher Lu Qian. Gong Xian's work was influential and widely celebrated, solidifying his reputation as a leading figure in the art world of his time.

Hong Ren was a Chinese painter and Buddhist monk during the early Qing dynasty. He was a key figure in the Anhui school of painting, showcasing his talent and skill in the art world. Initially pursuing a career as a painter, Hong Ren later transitioned into a life of spirituality and devotion by becoming a Buddhist monk following the downfall of the Ming dynasty. His contributions to the art world and his commitment to his spiritual path left a lasting impact on both spheres.

Liu Songnian, a renowned Chinese painter, is recognized for his landscape paintings during the early Southern Song Dynasty. He is esteemed as one of the Four Masters of the Southern Song dynasty and was associated with the Imperial Academy of Painting. His artistic contributions influenced prominent artists such as Xia Gui and Ma Yuan. Through his involvement with the Imperial Academy of Painting, Liu Songnian studied and worked, leaving a lasting impact on the art world with his remarkable landscapes and artistic legacy.

Li Sixun, a prominent figure during the Tang dynasty, was a distinguished landscape painter and noble. Renowned for his innovative techniques and use of brightly colored mineral pigments such as malachite green and azurite blue, he made significant contributions to the art world. Li is credited with founding the Northern school of landscape painting, a legacy that was recognized and praised by influential figures like Dong Qichang. His artistic prowess and unique approach continue to inspire and influence artists to this day.

Gao Qipei, a Chinese painter, was known for his unique and eccentric style of using his fingers, fingernails, and hands instead of a brush. Prior to showcasing his unconventional techniques, he had established himself as a reputable landscape and figure painter employing traditional methods. Gao Qipei's professional life was marked by a transition from conventional practices to a distinctive approach that set him apart in the art world. His experimentation and innovation contributed to his legacy as a pioneering artist with a highly individualized style.

Chen Shizeng was a prominent Chinese painter, critic, and educator in the early 20th century. He advocated for traditional literati art in a period when many artists were turning to Western influences. Through his own artwork and influential writings like "A Study of Chinese Literati Painting," he played a key role in preserving and promoting traditional Chinese painting styles. Chen's dedication to upholding the integrity of Chinese art made him a respected figure in the artistic community of his time.

Lu Yanshao was a prominent Chinese painter known for his affiliation with the Chinese Painting Academy in Shanghai, beginning in 1955. His professional life was influenced by political events such as the Japanese invasion of China in the 1930s, which forced him to reside in secluded mountainous areas. Throughout his career, Lu Yanshao made significant contributions to the world of Chinese painting, leaving a lasting impact with his artistic endeavors and involvement with the prestigious Chinese Painting Academy in Shanghai.

Huang Tingjian was a renowned Chinese calligrapher, painter, and poet during the Song dynasty. He is best known for his exceptional calligraphy skills, although he also gained recognition for his painting and poetry. As one of the Four Masters of the Song Dynasty, he was highly esteemed in artistic circles. Tingjian was influenced by Su Shi and his circle's literati practices, which included literati painting, calligraphy, and poetry. He is considered the founder of the Jiangxi school of poetry, leaving a lasting impact on the artistic landscape of his time.