Birthday: February 10, 1898 (Aquarius)
Born In: Augsburg, Germany
Birthday: February 10, 1898 (Aquarius)
Born In: Augsburg, Germany
Bertolt Brecht, born as Eugen Berthold Friedrich Brecht, was a German poet, playwright and theatre practitioner. He was a visionary who departed from the accepted conventional norms of illusion in theatrical production and tried new approaches to develop a better understanding of drama. He insisted that the audience view the stage and actors from a realistic and rational perspective and not as the conventional “make-believe” world. He was just 16 when the World War I started – he became increasingly disillusioned with the society and started moving towards Marxism and Dadaism. Even though he had studied medicine in university, he developed a profound interest in literature. He wrote his first play ‘Baal’ in 1918 which was theatrically produced in 1923. His meeting with the novelist and playwright Lion Feuchtwanger in 1919 proved to be a turning point in his career. He worked with him on an adaptation of Christopher Marlowe’s play Edward II, which greatly inspired his theatrical and dramaturgical development. He was a part of Erwin Piscator’s first company which was dedicated to the development of its "epic, political, confrontational, documentary theatre." He also collaborated with Kurt Weill and was influenced by Chinese theatre. He, along with his wife, founded the theatre company ‘Berliner Ensemble’ during the post war years.
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German Celebrities Born In February
Also Known As: Eugen Berthold Friedrich Brecht
Died At Age: 58
Spouse/Ex-: Helene Weigel (1930–56), Marianne Zoff (1922–27)
children: Barbara Brecht-Schall (de), Frank Banholzer (1919–43), Hanne Hiob (1923–2009), Stefan Brecht (1924–2009)
Born Country: Germany
place of death: Berlin, Germany
City: Augsburg, Germany
Cause of Death: Heart Attack
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Bertolt Brecht's works often explore themes such as social injustice, class struggle, alienation, and the impact of capitalism on society.
Bertolt Brecht's "Epic Theatre" aimed to create a critical distance between the audience and the performance, encouraging viewers to think critically about the issues being presented rather than becoming emotionally absorbed in the story.
The "Verfremdungseffekt" is a technique used by Brecht to break the illusion of reality in theatre, making the audience aware that they are watching a performance and encouraging them to engage with the underlying social or political messages.
Brecht's experiences living through both World Wars and witnessing the rise of fascism in Germany deeply influenced his political beliefs, leading him to advocate for social change and challenge the status quo through his writings.
Brecht revolutionized modern theatre with his innovative approach to storytelling, use of technology, and his emphasis on audience engagement and critical thinking, influencing generations of playwrights and theatre practitioners.
Bertolt Brecht was known for his unconventional approach to theater, often incorporating elements like breaking the fourth wall and using a narrative style that encouraged critical thinking among the audience.
He was a prolific writer, not only in the realm of theater but also as a poet and essayist, exploring a wide range of social and political themes in his works.
Brecht was a key figure in the development of epic theater, a style that aimed to engage viewers intellectually and emotionally by presenting stories in a non-linear and fragmented manner.
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