Birthday: February 8, 1894 (Aquarius)
Born In: Galveston, Texas, U.S.
Birthday: February 8, 1894 (Aquarius)
Born In: Galveston, Texas, U.S.
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Also Known As: King Wallis Vidor
Died At Age: 88
Spouse/Ex-: Eleanor Boardman (m. 1926–31), Elizabeth Hill (m. 1932–78), Florence Vidor (m. 1915–24)
father: Charles Shelton Vidorr
children: Antonia (1927–2012), Belinda (born 1930), Suzanne (1918–2003)
Directors T V & Movie Producers
Died on: November 1, 1982
place of death: Paso Robles, California, U.S.
City: Galveston, Texas
U.S. State: Texas
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Some of the notable films directed by King Vidor include "The Big Parade" (1925), "The Crowd" (1928), "Hallelujah!" (1929), "Our Daily Bread" (1934), and "War and Peace" (1956).
King Vidor was known for his innovative use of visual storytelling techniques in silent films, such as utilizing dynamic camera movements and expressive imagery to convey emotions and narratives without dialogue.
King Vidor was one of the early directors to successfully transition from silent films to sound films, and he played a key role in experimenting with and refining sound recording techniques to enhance storytelling in movies.
King Vidor's films often delved into themes such as the human condition, societal issues, and the struggles of ordinary people in the face of adversity, reflecting his interest in portraying authentic and relatable narratives.
King Vidor's contributions to the Golden Age of Hollywood include his role in shaping the visual and narrative aesthetics of cinema during that era, as well as influencing future generations of filmmakers with his innovative techniques and storytelling approaches.
King Vidor was known for his innovative use of camera techniques, such as crane shots and deep focus, which helped revolutionize the way films were shot during the silent era.
Vidor was a pioneer in promoting social issues through his films, tackling subjects like poverty, racism, and labor struggles in movies such as "The Crowd" and "Our Daily Bread."
Despite his success in Hollywood, Vidor often preferred to work independently and maintain creative control over his projects, which was uncommon for directors at the time.
Vidor was a talented painter and often sketched scenes from his films as a way to visualize his ideas before shooting.
In addition to his work in film, Vidor was also a published author and wrote several books on filmmaking and his experiences in the industry.
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