Birthday: March 22, 1930 (Aries)
Born In: New York City
Stephen Sondheim was arguably one of the best ever composers in the field of musical theatre and certainly the best of his generation. Young Stephen battled domestic instability and a tough relationship with his mother to emerge as a child prodigy, as he started learning piano at the age of seven and wrote his first musical when he was fifteen. His neighbour in Pennsylvania, Oscar Hammerstein II, was responsible for fostering in him an interest of writing for musicals and also taught him a lot on this subject. Soon after his graduation, Stephen Sondheim started auditioning his songs, but struggled to get anything substantial for a few years. He faced frustration as two of his Broadway musicals were cancelled, but eventually announced his arrival with ‘West Side Story’. Over next four decades, Stephen Sondheim staked his claim to being one of the very best by delivering numerous brilliant performances, both with his music and lyrics. He also forged extremely productive partnerships with Harold Prince, John Weidman and James Lapine. He wasn’t afraid to try the unconventional and his concept comedies achieved a lot of success. Stephen Sondheim left a rich legacy and his staggering body of work will continue to mesmerize audiences worldwide.
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Also Known As: Stephen Joshua Sondheim
Died At Age: 91
Spouse/Ex-: Jeffrey Scott Romley
father: Herbert Sondheim
mother: Etta Janet
Born Country: United States
Died on: November 26, 2021
place of death: Connecticut
City: New York City
U.S. State: New Yorkers
education: George School, Ethical Culture Fieldston School, New York Military Academy, Williams College, ,
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Some of Stephen Sondheim's most famous musicals include "Sweeney Todd: The Demon Barber of Fleet Street," "Into the Woods," "Company," "Sunday in the Park with George," and "West Side Story" (for which he wrote the lyrics).
Stephen Sondheim was known for his intricate and complex music and lyrics, as well as his ability to tackle challenging and thought-provoking themes in his work. He was often regarded as one of the greatest musical theater composers and lyricists of all time.
Stephen Sondheim's contributions to musical theater are significant because he revolutionized the genre with his innovative approach to storytelling and music. He pushed the boundaries of traditional musical theater and introduced complex characters and themes to the stage.
Stephen Sondheim influenced the next generation of musical theater creators by setting a high standard for storytelling, music, and lyrics in the genre. Many composers and lyricists cite Sondheim as a major influence on their work and strive to emulate his innovative style.
Stephen Sondheim was known for his meticulous approach to crafting music and lyrics for his musicals. He paid close attention to detail, often revising and refining his work until it met his high standards of excellence.
Stephen Sondheim was born on 22 March 1990, to Etta Janet and Herbert Sondheim, in New York City. His father was a dress manufacturer and his mother a fashion designer. Sondheim studied at ‘Fieldston School’ and later joined the ‘New York Military Academy’. He started learning piano from a very young age.
When he was ten years old, his parents divorced and he moved to rural Pennsylvania with his mother. The famous songwriter Oscar Hammerstein II was one of his neighbours and under his tutelage, Sondheim learned a lot about musical theatre.
He studied in George School in Pennsylvania, where he also wrote his first musical, ‘By George!’ which became extremely popular in the school. He graduated in 1946.
He enrolled at ‘Williams College’ in 1946 and during these years, wrote four musicals under Hammerstein’s guidance. After his graduation, he won the ‘Hutchinson Prize’ which enabled him to study composition for two years under renowned composer Milton Babbitt.
During the next few years, Stephen Sondheim kept auditioning. He wrote for the TV show ‘Toppers’ and got his first Broadway breakthrough, ‘Saturday Night’, for which he wrote the music and lyrics. But the project was abandoned due to the producer’s death.
In 1956, he wrote lyrics for the musical ‘West Side Story’ inspired from ‘Romeo and Juliet’ for which the famous composer Leonard Bernstein had composed the music. The musical opened on Broadway the next year and achieved great success. It ran for 732 performances.
West Side Story’s success enabled him to get more opportunities. He was involved in two more successful musicals – ‘Gypsy’, for which he wrote the lyrics and ‘A Funny Thing Happened on the Way to the Forum’, for which he wrote both music and lyrics.
Over the next few years, he continued to write music and lyrics for musicals, such as ‘Do I Hear a Waltz?’, a romance, ‘Follies’, a story of former showgirls, and ‘Evening Primrose’, based on a short story by John Collier. He also conducted the symphony orchestra ‘New York Philharmonic’ during this time.
From 1970 to 1981, Sondheim began a partnership with famous producer/director Harold Prince. Their first work together was the concept musical ‘Company’. Over the next decade, the pair collaborated on six musicals, all of which were directed by Prince. ‘A Little Night Music’, which narrates the romantic lives of three couples, is their most famous musical.
In 1976, he forged another association with librettist John Weidman and worked on three musicals with him. Their works include ‘Pacific Overtures’, regarding the westernization of Japan, ‘Assassins’, which features people who tried to assassinate US Presidents.
In 1984, after being impressed by the show ‘Twelve Dreams’, which he saw in 1981, Sondheim began another decade-long partnership with its director, ‘James Lapine’. Their collaborations include works like ‘Sunday in the Park with George’, ‘Into the Woods’, which featured characters from popular fairy tales and ‘Passion’, a dark story of unrequited love.
In 2003, after a nine-year hiatus, Sondheim returned to theatre with the musical ‘Bounce’ which chronicles the adventures of two brothers in the early 20th century. ‘Bounce’ did not attain much success. However, a revised version of the musical was released five years later that fared much better than the original.
In 2013, Sondheim collaborated with Wynton Marsalis for a special show titled ‘A Bed and a Chair: A New York Love Affair’. It consisted of more than twenty-four of Sondheim’s compositions, each of them modified a little by Marsalis.
In 2014, Stephen Sondheim wrote a new song, "She'll Be Back", for the film adaptation of Into the Woods, but the song was eventually cut from the film.
On September 15, 2021, Stephen Sondheim announced that he was working on a new musical called Square One in collaboration with David Ives.
Stephen Sondheim endured a neglected childhood and had a bitter and difficult relationship with his mother.
Post his parents’ divorce, after moving to rural Pennsylvania in 1940, he formed a close relationship with Oscar Hammerstein II. Apart from tutoring him in musical theatre, Hammerstein was like a father-figure to Sondheim.
He was a homosexual and was involved in some short-lived relationships during the 1970s and the 1980s. His first long-term relationship was with dramatist Peter Jones.
In 2017, he married partner Jeffrey Scott Romley.
Stephen Sondheim's favorite food was reportedly pasta, and he was known to enjoy cooking it himself.
Sondheim was an avid puzzle enthusiast and enjoyed tackling challenging crossword puzzles in his free time.
He had a deep appreciation for nature and often found inspiration for his music while taking long walks in the countryside.
Sondheim was a huge fan of games and puzzles, and he often incorporated elements of game theory into his songwriting process.
In addition to his work in musical theater, Sondheim was also a talented painter and enjoyed creating art in his spare time.
Awards
1991 | Best Music, Original Song | Dick Tracy (1990) |
2007 | Trustees Awards | Winner |
1995 | Best Musical Show Album | Winner |
1989 | Best Musical Cast Show Album | Winner |
1985 | Best Cast Show Album | Winner |
1980 | Best Cast Show Album | Winner |
1976 | Song of the Year | Winner |
1974 | Best Score from the Original Cast Show Album | Winner |
1971 | Best Score from an Original Cast Show Album | Winner |
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